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Thoughty Thursday WARNING!



A colleague of mine recently sent a link to something called the Writers Pitch Book that purports to “Connect Writers With Agents, Editors & Movie Producers.” The idea is that YOU (the author) send them your ‘pitch’ and they publish it in the book which goes out to the “right people” to get you noticed and published/produced.

Oh yeah, did I mention there’s a fee involved?

Shoot-fire, it’d be worth it to spend $50 to get your pitch before those with the golden keys to the kingdom, wouldn’t it? That’s what these folks bank on, people! Let’s take a deeeeeep breath and think for a minute.


What’s the benefit here? Well, you will get your pitch published. The “pitch book” certainly may be sent/delivered to all the movers-and-shakers in Nooo Yawk and Hollywood, very likely that will happen.

But why in the wide world of sports (or publishing/movie making) would those editors/agents WANT TO READ THIS FREAKIN’ BOOK? I mean, come on, people–agents and editors receive thousands (yes, that’s several zeros) of pitches a week. Not a year, but in a week. Ask yourself, just who is this publisher/person who has the means to persuade a busy editor or agent or (gasp!) movie producer to open up a book filled with pitches, sift through, and say, YES, I want to make YOU a star!

I apologize if this offends anyone but it makes me jump up and down and gnash teeth and say SIC-‘EM MAGICAL-DAWG! when anyone takes advantage of the hopeful aspirations of writers. There are many online sites that already purport to “connect writers with X” and they’re just as ineffective.


Is it a scam? Well…some are, some aren’t especially if they do what they promise–publish a pitch and send that pitch to the agent. But the only people benefiting are the ones that take your check.  That sucking sound you hear is your wallet being lightened.

Similar “opportunities” are offered to actors for getting their head shots and resumes in front of casting directors–you submit your teeeeeny tiny picture and info to these ginormous catalogues that end up as a doorstop (at best) or hamster bedding (at worst).

Please, people. It’s never been easy to get work seen by editors, agents or producers. And nobody can do it for you. Instead of spending your hard earned money on one of these “short cuts” that don’t work, save those nickles and dimes and invest in a really good writer conference that allows you a face-to-face with an agent or editor. You’ll also hear success stories–and cautionary tales–from writers in the trenches, just like you.

I wish there was a magic wand–or magic book–that would do the job for you–and for me. If you ever happen to find that sparkly magic spell, please clue me in. Until then, watch out for the dream-killers. Protect your dream, it’s priceless, and don’t let ANYONE devalue your work with such things.

I love hearing from you, so please share comments and questions. Do you have an ASK AMY question you’d like answered? Stay up to date on all the latest just subscribe the blog, “like” me on Facebook, listen to the weekly radio show, check out weekly FREE PUPPY CARE newsletter, and sign up for Pet Peeves newsletter with pet book give-aways!

Monday Mentions: Writing, Acting & Pets oh my!


"Maxine" the owner of the gym in Kurves, Texas.

Monday Mentions is the mash-up-day of all the neato-torpedo links and videos, pet schtuff and bling and writer-icity crappiocca collected over the past week. Some of this “schtuff” can be hard to categorize and may fit more than one topic so I urge you to at least scan them all.

This past weekend I finished the orchestration for the overture and exit music for KURVES, THE MUSICAL. Tonight we have a photographer coming for cast pictures during the show. That photo above is during a rehearsal–and that’s my co-author–to give you an idea of the flavor of the show. *s* If you’re in the N. Texas region I hope you’ll join us for this fun time. Rehearsals are a blast, we have a wonderful cast and the venue is outstanding. A reviewer will see the show this week, and we’ll have our premier March 1, 2, 3.


Just Breathe! stress relief tips from awesome author and blogger Joy Held

Publishers Weekly Best Books of 2011  so do you agree?

The Writing for Children Competition seeks submissions for all ages of young people, from picture books to young adult (YA) stories. The Writers’ Union of Canada is pleased to launch its 16th annual Writing for Children Competition, which invites writers to submit a piece for children up to 1,500 words in the English language that has not previously been published in any format. A $1,500 prize will be awarded to an unpublished Canadian writer, and the entries of the winner and finalists will be submitted for consideration to three publishers of children’s books. The deadline for entries is April 24, 2012.

Pinterest for Authors, good tips from Carla Stewart

Writers–You’ve Been Replaced by a Bot this gives me chills and it’s not sci-fi any longer.

R.L. Stine Posts Horror Story on Twitter  Talk about “short short stories…” is this the wave of the future?

AUTHOR BEWARE discusses the pros and cons (lots of cons!) of  BookTango, an ebook aggregator for self-published authors has been released by  Author Solutions (owner of the iUniverse, Xlibris, AuthorHouse, and Trafford brands, and the power behind the outsourced self-publishing divisions of Harlequin and Thomas Nelson, among others).

Kirkus Launches Editing Service for Self-Pub’d Authors

SAG + AFTRA = ???  Information on the merger of Screen Actors Guild & American Federation of Television and Radio Artists


Dog Flags for helping signal your dog’s attitude in advance–“I’m Shy” or “I’m Friendly” for the humans who can’t read doggy communication. Neat idea!

Help for Feral Cats from Examiner writer Stacy Ritz

Westminster Steps In It  Those who watched the dog show will be interested in this discussion by savvy dog-centric folks (be sure to read the comments, too, this is a keeper!). Presents Cara Shannon – Dallas/Addison 2012. This two day workshop shows professional dog trainers how to set up ongoing admission classes for reactive, aggressive, and shy dogs. Cara’s methods are all science-based and positive and are focused on not only changing behavior in the dogs but also on changing the emotional response of the dog.

I love hearing from you, so please share comments and questions. Do you have an ASK AMY question you’d like answered? Stay up to date on all the latest just subscribe the blog, “like” me on Facebook, listen to the weekly radio show, check out weekly FREE PUPPY CARE newsletter, and sign up for Pet Peeves newsletter with pet book give-aways!



Local playwrights, co-authors Amy Shojai and Frank Steele, have cast KURVES, THE MUSICAL with eight popular local performers. The original show features twelve catchy original songs with full orchestration, an ensemble cast, and laugh out loud dialogue. KURVES, THE MUSICAL will be performed for three nights only, March 1, 2, 3,  2012 at newly renovated Rialto Theater in Denison, Texas.

Frank Steele directs the show. He has appeared in many TV and radio commercials, movies and TV shows including DALLAS. He taught drama for twenty-seven years and has appeared in over fifty plays as an actor or professional musician. “I’ve co-written several benefit shows,” says Steele, “including the sold-out Star-Struck Night musical benefit with Amy Shojai, produced for Theatricks some years ago.”

Shojai directs the music. She is best known as a local author with 23 published pet books. “But I have a degree in music and love composing and performing,” she says. “Frank Steele and I have acted and written together, so we decided to combine forces to write fun and poignant characters that we’d like to perform.” She has acted in several dozen plays in six states, and made countless TV and radio appearances both locally and nationally, including Animal Planet appearances as an expert. KURVES is her third co-written show.

Eight quirky characters, misfits all, become trapped inside MAXINE’S, a run-down woman’s gym located in Kurves, Texas. The cast remains onstage the entire show. Despite failed attempts to find happiness and true love, they finally succeed—but in unexpected ways.


L to R, back row: Joe Maglio, Cheri Anderson, Craig Sturm, Johnny Flowers, Frank Steele. Middle L-R: Amy Shojai, Theresa Littlefield. Front: Leah Martin


Steele plays the cross-dressing Maxine/Max who owns the women’s gym and sings the title song “Curves.”

Shojai plays Celia, the sequin-wearing visitor to Maxine’s who sings “Dreams For Sale.”

Cheri Anderson is cast as the many-times-married Mabel, director of a soup kitchen, and sings the rousing gospel number “Suck It Up, Sweetheart.” She has performed in many local theater productions, including all three Smoke On The Mountain shows and the recent Ring Of Fire music review. She has performed gospel, bluegrass, country and classic rock-n-roll and performs with a number of country musicians in the area. She works as a Paralegal at Abernathy, Roeder, Boyd & Joplin P.C. in McKinney.

Theresa Littlefield is cast as mousy poetry teacher Jane who transforms from plain-to-sparkling in the duet “Poetry & Jazz.” Theresa has been in numerous college, church, and community productions.  She is an active member of the First United Methodist Church choir and handbell choir. She often plays saxophone for high school plays and church programs. She is a counselor at Fairview Elementary in Sherman.

Leah Martin is cast as newlywed Ronnie, and sings about her insecurities in the plaintive song, “The Picture.” Leah has logged countless hours working backstage with Sherman Community Players and has performed leading roles in The Mousetrap and The Miracle Worker. She most recently appeared in The Big Friendly Giant, and has appeared in the City of Sherman “Can the Trash” commercial. She works as a Nanny for Dr. Clint Hayes and his wife Sunni’s children.

Johnny Flowers is the inept but lovable movie-quoting robber Fingers who laments his lack of finesse in the song, “Silver Screen Blues.” Johnny has been active in community theater for the past 30 years. Most recently he delighted audiences in productions of The Odd Couple, Arsenic & Old Lace, and Smoke On the Mountain III. Johnny is also involved in the Music Ministry at Parkside Baptist Church in Denison. He is a graduate of Grayson County College and works in the produce department for the Sherman Kroger’s Store.

Joe Maglio plays ladies’ man Boots and sings, “You’re The Chick For Me.” He was one of the original dancers on American Bandstand and will show off smooth moves in KURVES. He attended Lon Morris School of Drama and worked for eleven years as technical director at Finley Playhouse. He graduated from Southeastern School of Theatre in 1988, moved to Hollywood and was active with Group Repertory Theatre in North Hollywood. Joe is a member of the Motion Pictures Arts and Sciences, and this year serves on the nominating committee for the SAG awards. KURVES marks his return to performance after a 19-year retirement.

Craig Sturm plays Ronnie’s husband, Troy Chadwick Noonan IV, who literally holds the key to Maxine’s and ties up all loose ends in the song, “Life Happens.” Craig has seen over 80 Broadway musicals, and has performed in many musicals both in the orchestra pit as a percussionist, and on stage.  Craig brought the butler character to life in the Finley’s production of Joseph and the Amazing Technicolor Dreamcoat in 2003. He is a gifted arranger and composer, often sharing original compositions at Trinity Lutheran Church where he serves as pastor.

Special thanks to Trinity Lutheran Church for rehearsal space. Mickie Martin serves as stage manager, and Garrett and Greg Guymon and The Rialto provides lights, sound and the performance venue. Show time is 8 pm and tickets are $10 adult and $5 (general seating) and can be purchased for the March 1, 2, 3, 2012 performances by calling the Rialto Box Office at 903-465-SHOW. Learn more about KURVES, THE MUSICAL here.

Thoughtful Thursday: What Do You Want To Be?

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Love the sparkles at the CWA book signing!

I didn’t start out to be a writer, so how the @#$%^&*! did I end up here?  I’m currently taking an Email course on branding and social media from Kristen Lamb (read her blog!)  and she’s asking lots of “thoughty” questions:

What do you (want to) write? What are your interests, besides the writing topics–because we are so much more than (fill-in-the-blank). Who do people “see” when they look at you? Is that the BRAND you desire to create? It must be the real you–pretend won’t cut it, people see through the phony-isity of such things.

Okay, she didn’t use those words, but you get my drift. I had an acting coach tell me the same thing, and I wrote about it in another blog, that you are enough. Bring YOU to the table–that’s enough.

That’s scary! Dang. And it leads me to another question–what did YOU want to be when you grew up? Kids seem to know and show even in the games they play what path they’ll take through life. Me? I wanted to be an actor because they were glamorous, people liked them, and they never laughed too loud or were at a loss for words.

We put on plays in the basement, directed marathon “let’s pretend” soap operas. The recurring kid, horses, dogs, and cat characters and stories were so real, they had us in tears–and made my folks roll their eyes.  I never played with dolls, much to the dismay of my grandmother. Nope, it was stuffed animals and best-bud pretend pets who could “really talk!” Mom always said, “When Amy grows up she won’t have babies, she’ll have puppydogs and kittycats.”

Mom knew.

Early in my writing career, I was constantly questioned why I didn’t write about more important topics, like starving children or world peace? And was cautioned, “You’ll never make a living writing about just pets!” Thpbpbpbpbpbpbpb! (insert raspberry sound effects!)

I write about pets because that’s me. It’s what and who I am, and I am enough. No, it’s not ALL that I am, but it’s a big part. I’m not on Broadway–yet! But all my stage and tv experience serves the pet writing causes. And I have the bling ready for when the big moment comes.

Something unexpected happened along the path to becoming Amy. I’m no longer at a loss for words–and instead I have to work at NOT jumping into every conversation. The animals taught me that. I don’t need to bark, howl, wag my tail (no wise cracks!) or hiss all the time to get ahead. I’ve never found being a “whisperer” to be particularly effective.

I’ve learned to be a pet “listener.” If you listen with your eyes and your heart, animals tell you what they’re thinking and why they’re acting certain ways. Works with humans, too.

When I was a kid, I wanted to wear sparkles, tell stories with happy endings, and have bestest-bud animal friends who really talk. What did you want to be when you were a kid? Are you there yet?

There’s still time!

I love hearing from you, so please share comments and questions–and to stay up to date on all the latest just subscribe the blog, “like” me on Facebook, listen to the weekly radio show, and sign up for Pet Peeves newsletter with pet book give-aways!

You. Are. Enough!

I’m feeling philosophical today.  

Everybody needs some strokes. The creative mind of authors, actors, musicians, and artists takes criticism so personally, a single sneer can quash the muse. I’m an author, actor, musician and artist so maybe I got hit with a quadruple whammy. Dang gene pool . . .

Those who read this blog know that I’ve recently “Kindle-ized” my backlist. I’m excited that the Aging Cat book has sold very well, and have high hopes that the just released print version will do equally well. But this week for the first time, books sold on Kindle were “returned.”

Huh? What happened?! Didn’t they *sniff* like the book? Why not? *whimper* THEY HATE ME!

I suspect you’re like me, whether you’ve published, performed, created for years or just recently dipped toes into the creative abyss. Dozens of great reviews leave me with a temporary glow, but it only takes one blistering comment to negate all the positives. And we LOOK for those negatives, don’t we? The reader who posts a modest review must not have liked the book all that well. The audience that didn’t whistle and offer stomp-along standing O’s must have hated the performance. If the artwork failed to sell, gallery attendees hated the artist.

Realistically, the book returns probably were accidental purchases of the Ebook instead of print. I think. Hope. Hell, maybe they really do HATE ME! I’m gonna go eat worms and die.

It must be in the definition of “artist”  to question our own talent and worthiness, even without help from outsiders. Self sabotage destroys more careers than anyone can measure. Because it’s safest to do nothing–pull all the books from the shelves, never write again. To try and fail is so painful, we’d rather close ourselves off and stop trying than risk the hurt. Again. So how many of y’all have decided to shut down the laptop, put away the viola, throw out paints, or hang up thespian aspirations?

I’ve made that “decision” dozens of times. But it never stuck. Because this is who I am. It’s what I do.

Last weekend I attended an audition workshop with the brilliant Del Shores, who notes that many people have !!@#$%^! -loads of baggage. Nobody gets out of life without some bumps, bruises, and the scars can be visible, deep inside, or both. Successful performers (and writers ARE performers!) learn to tap-dance into this wealth of virtual crappiocca, use it to create memorable damaged characters on stage, screen, canvas, music scores–and in our books, essays and other writing. Unblemished, perfect paintings, book characters, photos and music is freakin’ BORING!

In dog and cat behavior (another of my worlds), the perfect pet is a stuffed toy that has no potty accidents, no cost to feed, no need to walk in the rain, and no chewed up shoes or clawed sofas. But real pets also have baggage, seen and unseen–baggage is normal, folks. It’s what makes them special, rather than cookie-cutter boring. On top of that the old days of “punish the bad” has shifted to “reward the good.” I counsel clients to ignore the bad, and instead catch their pet in the act…of doing something good, and then rewarding with praise, treat, a ball or whatever floats the pet’s boat. We’ve learned that constant brow-beating or (heaven forbid!) actual beating causes pets to shut down.  It shuts down people, too, and it flat-out murders the creative process.

What floats your boat? How do you reward yourself? You are worthy, ya know!

Del Shores is fond of saying, “You are enough,” to his actors. No extra bells and whistles required. It applies to all creative people. Lessons learned:

  1. We’re all damaged goods. Use it. Mine the gold and let it resonate in your work.
  2. Ignore the bad. Reward the good.
  3. You. Are. Enough.

It’ll take practice for me to believe that. But I’m getting better. How about you?